Toronto Premiere of ‘Le Faux Soir’ Crowns Great Year for Walloon Cinema, Built on Belgian Region’s Creative Freedom, Can Do Attitude　◆　Catherine Deneuve on Playing a ‘Punk Fairy Godmother’ in Léa Domenach’s Venice-Bound ‘A Man’s Skin,’ a Feminist Medieval Musical (EXCLUSIVE)　◆　‘Rojo’ Director Benjamín Naishtat on Awaited Toronto, San Sebastián Title ‘Glaxo,’ the Impunity of Power and Connecting via Genre 　◆　James Bay performs with broken ankle at Bon Jovi gig　◆　Thailand Bets on Film Tourism to Turn Movie Locations Into Travel Destinations　◆　‘Ransom Canyon’ Was Canceled by Netflix—Here’s What Happened　◆　Venice Film Festival Takeaways: Malkovich Storms the Oscar Race, Political Movies Dominate Buzz and More　◆　How Choosing Songs Works on ‘Dancing With the Stars’　◆　Global Africa Hub at TIFF Market Seeks to Boost Visibility — and Deals — for African Filmmakers in Toronto: ‘It’s Our Moment’　◆　‘Love Island USA’ Star Kenzie Breaks Silence on 4-Day Hospitalization　◆　‘In Alaska’ Producer Tyler Hagan Wins CMPA’s Feature Producer Indiescreen Award at Toronto Film Festival　◆　New Zealand Set to Unveil Tri-Nation Indigenous Co-Production Initiative at Toronto (EXCLUSIVE)